jestem
series
| TITLE: PARK AT PIAŚNICKA OS. RUSA, POZNAŃ – POLAND |
| SERIAL NO. LA01 | NOV 2020 | MEDIUM & SURFACE: ACRYLIC ON NON-STRETCHED CANVAS (FRAMED) | SIZE: 40CM X 40CM |
| TITLE: FOREST AT CHARTOWO PARK, POZNAŃ – POLAND |
| SERIAL NO. LA02 | NOV 2020 | MEDIUM & SURFACE: ACRYLIC ON CANVAS | SIZE: 60CM X 50CM |
| TITLE: WARTA RIVER CLOSE TO NADWARCIAŃSKI SZLAK, LUBON – POLAND |
| SERIAL NO. LA03 | NOV 2020 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 120CM X 60CM |
| TITLE: FOREST LIMITS OF MAJAKOWSKIEGO STREET, KOBYLEPOLE, POZNAŃ – POLAND |
| SERIAL NO. LA06 | DEC 2020 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 70CM X 50CM |
| TITLE: COUNTRY ROAD LIMITS OF GOLFOWEJ STREET, TRZASKOWO – POLAND |
| SERIAL NO. LA07 | DEC 2020 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 70CM X 50CM |
| TITLE: COUNTRY ROAD LIMITS OF BOROWEJ STREET, SZCZEPANKOWO – POLAND |
| SERIAL NO. LA08 | DEC 2020 – JAN 2021 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 70CM X 50CM |
| TITLE: DĘBIŃSKI FOREST, POZNAŃ – POLAND |
| SERIAL NO. LA09 | FEB 2021| MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 60CM X 70CM |
| TITLE: COUNTRY ROAD LIMITS OF SARBINOWSKIEJ STREET, OS STARE ŻEGRZE, POZNAŃ – POLAND |
| SERIAL NO. LA10 | AUG – SEP 2021 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 40CM X 50CM |
| TITLE: COUNTRY ROAD LIMITS OF POZNAŃSKIEJ STREET TULCE – POLAND |
| SERIAL NO. LA12 | AUG – SEP 2021 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 65CM X 50CM |
| TITLE: PARK CYTADELA, POZNAŃ – POLAND |
| SERIAL NO. LA17 | MAY 2022 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 40CM X 30CM |
| TITLE: FIELDS LIMITS OF STAROŁĘKA-MINIKOWO-MARLEWO POZNAŃ – POLAND |
| SERIAL NO. LA18 | MAY 2022 / JUN 2024 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 40CM X 50CM |
| TITLE: COUNTRY ROAD CLOSE TO TRIQ IL-BROLLI LIMITS OF BIRŻEBBUĠA – MALTA |
| SERIAL NO. LA19 | FEB 2023 / JUN 2024 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 60CM X 45CM |
| TITLE: WIED IL-QOTON, LIMITS OF BIRŻEBBUĠA – MALTA |
| SERIAL NO. LA20 | MAR 2023 / JUN 2024 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 50CM X 60CM |
| TITLE: FIELD CLOSE TO MAQLUBA, QRENDI – MALTA |
| SERIAL NO. LA21 | MAY 2023 / JUN 2024 | MEDIUM & SURFACE: OIL ON LINEN | SIZE: 70CM X 50CM |
| TITLE: FIELDS CLOSE TO WARDIJA TOWER, ŻURRIEQ – MALTA |
| SERIAL NO. LA22 | FEB / JUN 2024 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 70CM X 50CM |
| TITLE: COUNTRY ROAD CLOSE TO TAS-SILĠ, DELIMARA – MALTA |
| SERIAL NO. LA23 | FEB / JUN 2024 | MEDIUM & SURFACE: OIL ON LINEN | SIZE: 70CM X 50CM |
| TITLE: FIELDS (1) CLOSE TO WARDIJA, ST. PAUL’S BAY – MALTA |
| SERIAL NO. LA24 | MAR / JUN 2024 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 70CM X 50CM |
| TITLE: FIELDS (2) CLOSE TO WARDIJA, ST. PAUL’S BAY – MALTA |
| SERIAL NO. LA25 | MAR / JUN 2024 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 70CM X 50CM |
| TITLE: VIEW OF BIDNIJA FROM VICTORIA LINES MOSTA – MALTA |
| SERIAL NO. LA26 | MAR / JUN 2024 | MEDIUM & SURFACE: OIL ON CANVAS | SIZE: 70CM X 50CM |
| TITLE: FOREST 2 |
| SERIAL NO. ABLA03 | JUL 2023 – APR 2024 | MEDIUM & SURFACE: ACRYLIC ON PANEL | SIZE: 44.6CM X 31.5CM |
| TITLE: FOREST 3 |
| SERIAL NO. ABLA04 | JUL 2023 – APR 2024 | MEDIUM & SURFACE: ACRYLIC ON PANEL | SIZE: 46.4CM X 33.5CM |
| TITLE: TREE |
| SERIAL NO. ABLA05 | JUL 2023 – APR 2024 | MEDIUM & SURFACE: ACRYLIC ON PANEL | SIZE: 45CM X 31.6CM |
| TITLE: COUNTRY ROAD |
| SERIAL NO. ABLA06 | JUN 2024 | MEDIUM & SURFACE: ACRYLIC ON PANEL | SIZE: 72CM X 61.5CM |
| TITLE: FIELD |
| SERIAL NO. ABLA07 | JUL 2023 / MAR 2024| MEDIUM & SURFACE: ACRYLIC ON PANEL | SIZE: 55.5CM X 46CM |
| TITLE: RABBLE WALL |
| SERIAL NO. ABLA08 | APR 2024| MEDIUM & SURFACE: ACRYLIC ON PANEL | SIZE: 43CM X 31.5CM |
| TITLE: UNDER THE CAROB TREE 1 |
| SERIAL NO. ABLA09 | JUN 2024| MEDIUM & SURFACE: ACRYLIC ON PANEL | SIZE: 120CM X 90CM |
jestem
bending the laws
of nature
to fit the laws of art.
The title of the exhibition is the Polish word ‘Jestem’. It is the first-person singular of the verb ‘to be’: I am. It means to be or find yourself somewhere at a particular time. It is the phrase used in a classroom to declare that you are present.
I am…or better I would like to be present wherever I go. To be where I am. To be present in a particular location in the world. I am represents me in a particular place, making conscious choices and depictions. In my case immersed in nature: listening, feeling, looking/seeing, discovering, paying attention; being present there and at that time…loyal to the place… the colours… the seasons. The ordinary scenery metamorphoses into something marvellous. What is observed on the exterior becomes a reason to provoke an interior explosion of emotion which transposes feelings and a visual representation of what I see, sense and feel.
I am is a bold statement about me and my interpretation of what I see around me. I am a silent observer. I watch and take in colour, action and place. Jestem because I was in Poland for many years and now, I am here. My
works touch on various scenes both in Malta and in Poland, I have worked en pleine air to be able to engage with the beauty and sense of what is around me. I am in each location I depict, be it Wardija, Wied il-Qoton, Koblylepole or Szczepankowo.
My prime interest in landscapes began after being acquainted with David Hockney’s ‘Arrival of Spring’ and his en pleine air paintings. I felt the need to go out and paint, understand my surroundings and give them a dimension no photo still can give a painting. Art has the added dimension of emotion, it is evocative in nature and is a most personal interpretation by the artist himself. I am – I was in a place at a particular time capturing a particular everchanging mood. I was painting when the sun was out, when the wind blew and when the snow began to form.
This exhibition is divided into three parts. The landscapes in Poznan Poland, the landscapes in Malta, and the third are landscapes in the studio. In Poland I was drawn to long rows of trees and lush forests. The verticality, the deciduous nature of trees in the cold winter months, the different moods of changing seasons were a fertile source of
inspiration. Malta was antipodal to Poland; it is not very seasonal and forests are a rare find. Malta mostly offered rugged landscapes and labyrinthine rubble walls. Yet it offered bright light, blue skies and vibrant colours. So, I chose to re-interpret my narrative and my emotions. The third part of the exhibition is my subject in conscious abstraction. Brian Ruttenberg was a strong source of inspiration into my decision to break away from reality and negate the picture-perfect realism. Brain said it right: bending the laws of nature to fit the laws of art.
My abstraction of nature is a representation of strong emotions, reflective thoughts and deep interpretations. I am such a person; my art reflects what I feel and who I am. I therefore chose to still depict bare trees and twigs to keep with my keen interest of the deciduous subject. But I chose to re-interpret my work. What I felt when I was out in contact with nature was externalised and redefined in abstract thoughts and Art from my inner self.
I am – an ever-changing artist and this is my ever-changing project.
“encourage me”
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-WARSTWY- SERIES
-JESTEM-
SERIES
RECENT WORKS
PORTFOLIO
2020-2021
PORTFOLIO
2018-2019
PORTFOLIO
2016-2017
PORTFOLIO
2010-2015